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Photographic portrait of Guido Gonzato

Biography

There are several publications and monographs dedicated to the artist, and we would be happy to point them out and advise you if you are interested. Upon request, we can also provide copies of newspapers, letters, and writings that the painter exchanged during his lifetime with other Ticino and international artists. The documentation provides an overview of Guido Gonzato's biography.

There are several publications and monographs dedicated to the artist, and we would be happy to point them out and advise you if you are interested. Upon request, we can also provide copies of newspapers, letters, and writings that the painter exchanged during his lifetime with other Ticino and international artists. The documentation provides an overview of Guido Gonzato's biography.

Guido Domenico Michelangelo Gonzato was born in the province of Verona in 1896. With his father's family, he moved to Switzerland in 1913, where he resided until his death in Mendrisio in 1955. In 1921, he graduated from the Cignaroli Academy of Fine Arts in Verona. In 1924, he married Orlandina Noemia Romanzini from Arogno, and together they had three daughters.

In 1932, Mario Mascarin, a ceramist and art critic, wrote the critical text "Guido Gonzato," Edizioni San Quadrato, Mendrisio. Mascarin highlights the bond of esteem and friendship, sharing the support and appreciation for the art and artists of the region.

In 1950, Gianfranco Contini, a literary critic, philologist, and historian of Italian literature, wrote the presentation for "The Masks of Guido Gonzato," Edizioni il Milione, Milan, emphasizing the deep friendship with the painter and highlighting Gonzato's originality and expressive power.

In 1952, "The Tragic Voices of Guido Gonzato" was published by Edizioni il Milione in Milan, with a text that GIUSEPPE UNGARETTI, an Italian poet, writer, translator, and journalist, dedicated to the painter, expressing his profound admiration for his art and his ability to represent the human condition with unique sensitivity.

Exhibitions

Oslo, 1929 – Blomquist Gallery (with Adolfo Wildt and Filiberto Minozzi)
Basel, 1933 – Bettie Thommen Gallery
Milan, 1933 – Galleria del Milione
Bellinzona, 1934 – Solo exhibition of sacred art
Rome, 1935 – Bragaglia Gallery (not for sale)
Lugano, 1935 – Cenacolo Italiano
Turin, 1935 – Studio of Casorati and Paolucci
Genoa, 1936 – Galleria Genova
Paris, 1936 – Le Niveau Gallery
Amsterdam, 1936 – Santee Landweer Gallery
Milan, 1940 – Galleria del Milione
Genoa, 1940 – Galleria Genova
Zurich, 1945 – Aktuaryus Gallery (with Arnoldo D’Altri and Marino Marini)
Freiburg, 1946 – University (with Arnoldo D’Altri)
Zurich, 1951 – Kongresshaus

Exhibitions 1/3

Oslo, 1929 – Blomquist Gallery (with Adolfo Wildt and Filiberto Minozzi)
Basel, 1933 – Bettie Thommen Gallery
Milan, 1933 – Galleria del Milione
Bellinzona, 1934 – Solo exhibition of sacred art
Rome, 1935 – Bragaglia Gallery (not for sale)
Lugano, 1935 – Cenacolo Italiano

Exhibitions 2/3

Turin, 1935 – Studio of Casorati and Paolucci
Genoa, 1936 – Galleria Genova
Paris, 1936 – Le Niveau Gallery
Amsterdam, 1936 – Santee Landweer Gallery
Milan, 1940 – Galleria del Milione
Genoa, 1940 – Galleria Genova

Exhibitions 3/3

Zurich, 1945 – Aktuaryus Gallery (with Arnoldo D’Altri and Marino Marini)
Freiburg, 1946 – University (with Arnoldo D’Altri)
Zurich, 1951 – Kongresshaus

Group Exhibitions
and Posthumous Exhibitions

In preparation -

Anyone in possession of a work by Guido Gonzato is kindly requested to contact us to facilitate our cataloging work.